Cyberpunk movie.

The camera opens in a close three-quarter view on the face of a young blond woman with blue eyes standing on a concrete seawall in the foreground. She is smiling, her eyes are wide with awe, strands of curly hair lifting slightly in the charged air. Looking at the camera, she says with an excited voice: "it's starting, LOOK !".
The low hum of generators, distant traffic, and rolling waves fills the soundscape. She wears a cybertech casual suit.

The camera orbit to a above the shoulder view to reveal a night-time cyberpunk coastline glowing with dense layers of neon light, towering megastructures rising behind a launch pad built on massive pylons above the dark sea. The water below reflects electric blues, magentas, and amber signage rippling with the swell. High above the city, one earth-like planetary moon dominate the sky, one massive continent surrounded by oceans, casting overlapping light across the haze.

As a deep mechanical rumble begins, the camera slowly rotates around her, maintaining close proximity as her gaze shifts upward, while a distant deep male voice off is announcing the countdown in the background: "three, two, one, ignition !". The rotation reveals the offshore launch pad in full view: a towering rocket clad in dark alloy panels, illuminated guidance lines running along its hull, engines nested within a wide reinforced base. Thick vapor pours downward, spreading across the platform and drifting over the water.

The sound intensifies — turbines spinning up, fuel pumps thudding rhythmically, warning tones echoing across the bay. Smoke thickens, illuminated from within by growing engine light. Exhaust fire blooms in brilliant white and orange, reflecting violently across the sea and nearby buildings.

The rocket lifts from the pad with overwhelming force. A thunderous roar fills the air as exhaust plumes hammer the ocean surface, sending shockwaves of mist outward. The camera continues its rotation and then tilts upward, following the rocket as it climbs.

The girl remains in the lower frame, frozen in wonder, as the sound peaks — engines roaring, city alarms echoing, waves crashing — while the rocket ascends into the neon-lit sky, fire trailing upward between city and stars.

Sci-fi movie, nature documentary.

A harsh ice world stretches to the horizon beneath a deep crimson sky. Low above the frozen plain hangs a swollen red giant sun, vast and turbulent, its surface boiling with slow-moving plasma and dark convection cells. The sun’s dim, ruddy light stains the ice in shades of blood-red and copper, casting elongated shadows across pressure ridges and wind-carved spines of frozen mineral.

The ground is locked in endless frost, shaped into fractured ice plains and sculpted formations polished smooth by centuries of abrasive wind. Fine snow drifts constantly across the surface, driven by relentless gusts that hiss and moan through the terrain. The cold air carries a low, distant resonance, as if the planet itself were slowly cracking beneath the weight of time.

The camera glides steadily forward at low altitude, skimming above the ice. Jagged formations pass beneath the frame, their translucent layers glowing faintly under the red giant’s light. In the distance, towering ice cliffs rise like frozen waves, internal stresses shimmering softly as they refract the crimson glow.

A calm, authoritative voice begins, measured and reflective:
“On worlds like this, Evolution is forced into extremes.”

The camera slows as it approaches a sheltered depression in the ice, partially protected from the wind by curved ridges. The soundscape softens slightly, the wind lowering to a distant howl.

The voice continues:
“Here, life reaches its ultimate conclusion. Efficiency. Precision. Perfection.”

As the camera eases closer to the hollow, a small movement stirs within the drifting snow.

“Behold the universe apex predator.”

The camera finally reveals the creature: a compact extremely fluffy young alien animal emerging into view. It combines the soft, rounded body of a long hair kitten with the powerful hind legs and the very long ears of a rabbit. Dense frost-resistant fur covers its form, patterned in pale blues and whites, while large reflective eyes scan the frozen plain with uncanny intelligence. Its ears pivot independently, catching distant vibrations through the ice.

The creature pauses, nose twitching, breath forming tiny crystalline clouds in the red light.

The voice ends:
“The kitten-rabbit of Antares.”

The camera holds on the animal as it looks directly toward the lens, perfectly still, framed against the vast frozen world and the swollen red sun above.

enleve les textes rouges de l'image , et oublie le decors de fond, fait un film realiste a partir de la femme blonde qui tire sur une plage, je veut l'image aussi belle qu'une photo 4k

dans le cadre d'une bande dessiné,fait moi une planche/page de bande dessiné de 12 ou 15 images, en art syle american, avec beaucoup de dialogue ,une coherence absolue, et un scenario poussé,sur le theme suivant :"Une espionne/mercenaire a son compte,   natacha 2.0 , traque et tue , des mauvais gens compromise dans l'affaire epstein, l'heroine est en image jointe, blonde aux yeux bleus,garde la beauté de son visage et de son corps, l'heroine peut utiliser toutes armes et s'habiller differement selon les lieux"  

 
dans le cadre d'une bande dessiné,qui devra faire un cinquantaine de page,fait moi une planche/page de bande dessiné de 5 ou 7 images, qui se suivent avec coherence (apres tu fera les autres )en art syle american, avec beaucoup de dialogue ,une coherence absolue, et un scenario poussé et haletant sur plusieurs pages,sur le theme suivant :"Une espione/mercenaire a son compte,   natacha 2.0 , traque et tue , des mauvais gens compromise dans l'affaire epstein, l'heroine est en image jointe, blonde aux yeux bleus,garde/respecte la beauté de son visage et de son corps, l'heroine peut utiliser toutes armes et s'habiller differement selon les lieux"